KUSSNER, Amalia - Putnam

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KUSSNER, Amalia

Source: Dayton Daily News, Dayton Ohio Sat 27 Jan 1900 p 14

Amelia Kussner or as her friends love to call her, “Amelia,” has just returned from South Africa where she painted the miniature of Cecil Rhodes. If the Boer prediction is correct that they will take Rhodes a prisoner, the miniature may be the last one of the famous Englishman for his friends declare that he would never survive captivity.  Amelia Kussner is known in these later days of art as  he revivalist of the miniature. The ancient and honorable little oil painting had gone out of fashion when she started it up again by painting the smallest and daintiest portraits that ever graced ivory. She declared at the time that they were little life sketches made small for convenience. They could be worn inside a watch case or placed in the tiniest photograph frame.  Peter Marie, one of the wealthiest old beaux of New York had long been collection miniatures, one of the most charming being a portrait of Mrs. Cleveland, made when she was the “girl-wife” of the President of the US.  Miss Kussner’s miniatures et other art collectors wild, and soon all the society women of the country were begging her to paint them on ivory. Miss Kussner’s harvest was a harvest for other miniature painters, for the demand became great enough to keep them all supplied with work.  For years Miss Kussner has been unable to accent half the orders sent her and it is said that now she takes her choice of patrons, selecting those who are most interesting to her.  

Source: Indianapolis Journal Mon 20 Nov 1899 p 2

New York Nov 19 – Two distinguished NY young women are entrapped in the beleaguered city of Kimberley South Africa in company with Cecil Rhodes, the “diamond king,” who is worth $100,000,000.  One of the young women is Amelia Kussner of Indiana the most celebrated miniature artist in the world who has painted the portraits of New York’s noted society leaders, the famous titled beauties abroad and many of the crowned heads of Europe. The other a NY girl who is surrounded by the Boers and may become their captive is Nancy Huston Banks, the novelist, essayist and magazine writer. When Nancy Banks’ last dispatch, carried out by a native runner came from Kimberley about a week ago the town had settled down into a state of desperate siege. Starvation rations had been ordered. Four slices of bread, three tablespoonfuls of beans, three slices of bacon and one cup of coffee were the daily allowance. This is only one of the odd fortunes of war which has so suddenly befallen these two favorites of NY society, accustomed to the most agreeable luxuries of life. These plucky young women just happened to reach the war territory last month at the outbreak of hostilities. Miss Kussner had an appointment to meet Cecil Rhodes, the South African multi-millionaire at Cape Town and paint his miniature. It never occurred to her to turn back because war as about to be declared and finding that Mr. Rhodes had gone on to Kimberly, Miss Kussner and her friend cheerfully followed. Miss Nancy Banks, who went to Kimberley as a war correspondent arrived at Cape Town on the steamship Norman from London only two days before the outbreak of hostilities in the Transvaal. Miss Kussner was already in Cape Town. The two young women are most devoted friends. They started at once for Kimberley the great diamond mining town 700 miles north in the Kaffir country. Their adventures began on the train in which they went north from Cape Town. On Oct 11 when the war ultimatum expired the Boers held up their train on the frontier, but allowed it to proceed to Kimberley as only noncombatants were supposed to be aboard. When the resolute American girls arrived in Kimberley the siege had already begun. Mr. Rhodes was somewhat dismayed at the unexpected appearance of the young Americans. As the Boers had closed all avenues of retreat there was nothing to do but to welcome the visitors and Mr. Rhodes promised Miss Kussner a daily sitting. The small garrison of half a battalion of the Royal North Lancashire Regiment and 2,000 local militia troops were working night and day throwing up intrenchments on the outskirts of the town. Opposed to them were 5,000 Boers. School and churches were being prepared for hospitals.  Miners from the adjoining diamond fields were being enlisted and drilled in the streets. What had a week before been a lively mining camp like one of our own Western towns was transformed into a military post. The two American women were thus thrown at once into the most exciting scenes of war.  Nancy Banks tells, in her vivid descriptive style in one of the last newspaper ___ sent out of the besieged town how from their window sin the largest hotel of the town they could see the forces of the Boers gathering on the surrounding hills and planting batteries. Then came a still more exciting day when they saw the Boers make assault upon the town to be driven back repeatedly by the British garrison and volunteers. When these assault failed, a new terror threatened. The Boers began to drop shells which burs tin the streets and among the houses. Occasionally a shell would fall in the diamond mines where great quantities of dynamite are stores exploding these magazines with the roar as of an earthquake. Yet, under circumstances which would have inspired most women with a sickening fear, these plucky American women indulged in the pastime of picking up fragments of shells in the streets as mementoes. But Amelia Kussner did not allow the state of war to interfere with the business which took her to Kimberley. Every morning, according to a cable dispatch a week ago, at a stated hour Mr. Rhodes called and had a sitting for his portrait in miniature. The little artists certainly has had an exceptional opportunity of seeing Cecil Rhodes (survived this and on into a 2nd Boer war – heard of Rhodes scholarships, that’d be his $), called the Colossus of South Africa in his most heroic moods and doubtless she will have an interesting story to tell when she returns to the US.

Source: San Francisco Chronicle Wed 4 July 1900 Wed p 11

New Yrok, July 3 – Miss Amelia Kussner, the celebrated painter of miniatures, was married to Capt. Charles Dupont Coudert in the vestry of St. Patrick’s Cathedral this evening. Only the mothers of the bride and bridegroom, Mrs. Charles Coudert and Mrs. Kussner were present. Young Mrs. Coudert is an American woman and has painted miniatures of the leading women of NY and London society of the Prince of wales and imperial family of Russia. She is not only distinguished in her own land, but also is one of the principal miniature painters of Europe. She painted the Czar and other members of the imperial family  last summer, receiving from them handsome presents besides autograph photographs. Last autumn Miss Kussner added greatly to her reputation by making a long journey to South Africa to paint Cecil Rhodes’ miniature. When the miniature was nearly finished threatened hostilities compelled Rhodes to leave for Kimberley where he remained during the seige.  Miss Kussner left Cape Town and came here via England.  Capt. Coudert, who is perhaps 28 years old, is a son of the late Charles Coudert, a distinguished lawyer and nephew of Frederick R. Coudert. He was graduated form Columbia Univ and admitted to the bar in 1898. He gained his military title in the Spanish War. President McKinley nominated him to be commissary ,with rank of Capt. He was on duty in Washington for awhile but desired active service and at his own request was sent to the Philippines, where he served under Otis & Hall and from where he returned last Nov.


Source: Greencastle Star Press, 23 Feb 1895 p 3

Miss Amelia Kussner, daughter of L. Kussner and wife of Terre Haute, formerly resided in this city and Amelia was born in Greencastle. She has become one of the most famous miniature portrait painters in the world, and now receives from $300 to $500 for painting a single portrait on ivory. Harper’s Bazaar devotes a whole page to this artist and her work, from which the following facts are gleaned: the first indications of a revival of miniature painting came through the appearance of a few miniatures in the Paris Salon two years ago.  The cause of it abroad is not apparent; but the awakening in NY was chiefly if not wholly due to the advent of Amelia Kussner, whose arrival by a curious occurrence coincides with the beginning of the miniature furor in France.

Neither the art-world nor the realm of fashion, luxury and wealth had ever heard Amelia Kussner’s name. The story of her success reads like a romance. Miss Kussner was unheard of till she appeared in NY – without introduction or influence, as unexpected and mysteriously as Aphrodite from the foam of the sea .. less than two years ago. Within that time she has painted miniatures of many of the most prominent men and women of the country. Of late her brush has been almost monopolized by the highest fashion of New York. Some of her earliest miniatures are among the finest. A notable instance is the likeness of a popular singer which flashes out with supreme radiance among all the dazzling gems of her art. It is a perfect picture of an exceedingly beautiful woman and truth no less than beauty looks out from the encircling jewels – for a fiery tameless spirit gleams through the exquisite flesh. Another, also painted early in the artist’s career is the miniature of a most lovely great lady, now ruling New York, less by the might of grand wealth and exalted social position than by the spell of her gentle beauty. It beams like the moon in Miss Kussner’s painting – so calm and pure – and is fittingly wreathed about with superb pearls. Conceding much to the divine gift, to inborn power of the young artist, let it not for a moment be assumed that even she has found any royal road to fame. Could genius ever be truly defined as an infinite capacity for taking pains, this were certainly the case with miniature-painting. The unitiated cannot possibly conceive of the nerve and eye and brain toll represented by one of there (sic) tiny masterpieces.  First comes the study of the personality and Amelia Kussner often devotes an entire sitting to this without touching a brush.  She paints entirely from life and once the entity is grasped, the sketching is rapidly done. Then the painting, the actual labor begins. Not a stroke of all the innumerable strokes of the infinitesimally small brushes but must be made under a powerful magnifying glass. Each gossamer touch must also be no less sure than delicate; for the fragile little ivory shield into which the warm colors melt as harmonies blend in music, may be ruinously jarred by a single false note.  Strangely enough, Amelia Kussner’s star began to rise with the panic, during the distressful summer of ’93.  Soon after her arrival she received a letter of introduction to a NY woman of wealth, social importance and artistic appreciation. Through this letter the miniaturist hoped to find the key to that charmed circle within which art so costly as hers could alone expect success. For, like the precious stone which its radiance suggest, the miniature must ever remain an inseparable accessory of riches, of luxury, and culture. “If I could only reach them,” the artist signed, “if they would but allow me to show them what I can do!”  

“Don’t expect too much from the letter,” was the caution given by a friend, “that lady is the most exclusive woman in NY – quite the hardest to meet – as well as one of the most influential. Could you get her interested in your work, your reputation would be made. But don’t look for it. Most likely you will never see her at all.”

Nevertheless the artist took her miniature – and her courage – in both hands and went to the house on Madison Avenue to present the fateful letter. The lady’s maid came down with the message the artist was dreading. The lady was not well and consequently could not receive Miss Kussner, but would examine the miniature. It does without saying that the picture was sent to her, but Amelia Kussner saw it go with a bitter pang. The disappointment that she had been warned against and for which she believed herself prepared fell upon her now with crushing force.  It was almost more than she could ber and she sat waiting the maid’s return in sadness that was near despair. But when she did come, how the little miniaturists’ sinking heart leaped! For the maid brought the invitation – the lady would see her, in her own room. And when Amelia Kussner crossed the threshold of my lady’s chamber, Fate touched Fortune’s wheel, which turning then has ever since gone on!

Source: St. Joseph Missouri News-Press pWed 3 Nov 1897 p 5

Successful as she is a miniature painter to my mind the very cleverest thing about Amelia Kussner is the way she dresses remarked a Milwaukee girl who is as much at home in Chicago and in the Cream City and who knows all about the celebrities of the former place. “I haven’t a doubt but that she is very talented, but probably there are a lot of other girls who could do just as well as she does. But she knows the value of dress and from the start she has gotten herself up as attractively as she could, evidently quite regardless of money. When she gives a sitting, she wears the loveliest Paris house gowns you ever sa w- all lace and silk and chiffon in exquisite colors, so that she is a delight to look at. Someone who once sat for her remarked that it was quite imposible to look anything but ones pleasantest when one had so charming an object as Miss Kussner to look at. Then when she goes out in society her clothes are simply irreproachable, elegant as well as artistic and fashionable as well as becoming. For the street, her costumes are stunning. Altogether she is one of the best dressed young women imaginable so that society people never hesitate to invite her out because they are sure she will do them credit. She goes out a great deal and in the very best society both here and in England and to my mind it’s her clothes as much as her art that have made her so successful.  “For” this young woman sagely concluded, “there is no welcome in society for shabby people, especially for shabby young people. When one is old and famous, one may neglect one’s dress, I suppose, but it isn’t safe to do so while one is still mounting the ladder of fame and success.”  -- Milwaukee Journal.

Source: Calgary, Alberta Canada Herald Sat 31 May 1913 p 15

London May 31 – Capt. and Mrs. Dupont Coudert are due here this week. She was Amelia Kussner and remains the most popular miniature painter society affords.  In fact, she has no rival. At the moment she has more commissions in spite of the fabulous prices she charges than she can carry through for months to come. She mostly spends the London season here, and even very great ladies take it as a favor to be painted by her. She is quite the Sargent of the female artists, but nevertheless it is difficult to tell what it is that gives her the enormous vogue she has acquired unless it be the fact that the Tsarina whom she painted some years ago took a tremendous fancy to her and gave her letters of introduction to half the courts of Europe. Of course she is a society woman herself and that counts for a great deal. All the would-be-smart and rich women here are prepared to pay any price to be depicted by her. She goes to all the best houses as a friend and is rec’d as a celebrity. She is in great favor with the king of Spain and has painted the Spanish royal children, as well as the queen. Indeed, her miniature of her majesty wearing a big black hat and fichue was one of the most successful things she ever did. She does not like painting men and nothing will induce her to depict plain people. King Alfonso and she had a joke about a projected picture of himself for he said that if only he were good looking he would have her dept him at once, but as matters stood, he could not have the heart to request her to portray so plain a countenance. She is full of little idiosyncrasies, which may or may not be a pose but which certainly bring grist to her mill.

Source; Muscatine, Iowa Journal Thu 5 July 1900 p2

New York, July 5- Miss Amelia Kussner, the celebrated painter of miniatures, formerly of Terre Haute, Ind and Chicago was married Tuesday night to Capt. Chas DuPont Coudert in the vestry of St. Patrick’s cathedral. Only the mothers of the bride/groom were present. Young Capt Coudert and wife went to the Hotel Savoy and sailed on the Majestic yesterday for a honeymoon trip that will last TWO MONTHS.  Capt. coudert is the s/o the late Charles Coudert the distinguished lawyer and a nephew of Frederick R. Coudert.

15th Annual HS Commencement – 25 June 1881 Sat. Eve Mail, Terre Haute Amelia Kussner gave a paper – Money, Honor & Courage… our space & time will not permit of individual mention but it is no discredit to the other young grad to say that, in composion and delivery, the bet performance was that of Miss Amelia Kussner. She commanded the closest attention of the audience and was frequently interrupted with applause.  Notable event grad of two colored students – first in our history.  
Source: Leavenworth KS Times Tue 2 Jan 1900 p 8- Terre Haute, Ind Jan 1 – Relatives of Amelia Kneesner the miniaturist who was in besieged Kimberley where she went to paint a portrait of Cecil Rhodes have received a cablegram from her saying, “SAFE IN LONDON!”



Source: Chicago Inter Ocean Sun 7 July 1901 p 37

Mrs. Charles Deupon Coudert better known as amelia Kussner, the miniature painter is defendant in a mysterious action brought against her in the NY Supreme Court by Mrs. Blanche Lincoln. There are no papers on file and the counsel interested in the case abasolutely refuses to give out anything about the parties or the cause of action. Mrs. Lincoln is represented by House,  Grossman & Vorhaus while Adams & Adams are the attorneys and De Lancey Nicoll the counsel for Mrs. Coudert. Neither of the counsels will talk about the case. When Mr. Nicoll was seen he said, “I refuse absolutely to say what the case is or anything about it. I do not think any newspaper will print anything about it.”  As Amelia Kussner, the artist who rec’d the art of miniature painting in America, Mrs. Coudert has been received at the imperioal courts of Europe and has commanded entrée into exclusive American social circles. Her personal charm is a characteristic accompanying her artistic talent. She has painted miniatures of American society leaders, the Czar and Czarina of Russia, King Edward VII, while he was Prince of Walters and of many members of the English nobility. In 1899 she visited South Africa and at Kimberley painted a miniature of Cecil Rhodes. Without previous announcement Miss Kussner was married to Capt. Charles Dupont Coudert the else son of late Charles Couder tin St. Patrick’s Cathedral, NY July 3, 1900.


Source: Terre Haute Saturday Evening Mail 27 June 1891 p 8
Mrs. May Rodges Spencer of Bloomington ILL and her sisters, Mrs. Effie Rodgers Powers of Bloomington and Miss Jennie Rodgers of Decatur have attended the golden jubilee at St. Mary’s and are now the guests of Miss Amelia Kussner in this city.

TH Daily Wabash Express 1 Oct 1888 – Miss Amelia Kussner has completed a portrait of Dr. Pence which is pronounced an excellent work of art.  It has been examined by a number of art critics, who consider it a rare specimen of HIGH ART.
1892 – enjoyed progressive euchre with lady friends
Returned from South – Returned from Chicago …

3 Jan 1891 Sat Eve Mail TH – James Whitcomb Riley came to present his poems – “Looked across the room and saw the young ladies looked unusually pretty … Miss Amelia Kussner, wore an old rose china silk.

23 oct 1887 – returned from a delightful tour through the east.

14 Oct `1883 – go to NY to attend art school

1890 lived 432 N 7th St, TH

Source: Indiana Star 8 June 1932 Wed p 5

Amalia Kussner Coudert, Indiana-Born Artist of International Fame died
Terre Haute June 7 – Word has been received here of the death of Mrs. Charles DuPont Coudert, native of this city and miniature painter of international fame. Her death occurred in Territet, Montreaux, Switzerland.  Funeral services were held yesterday at Windlesham, Surrey, England, her home. Her fame as a miniature portrait painter was gained under her maiden name of Amalia Kussner. She was the youngest daughter of Lorenz and Emelie Kussner of this city. Her father conducted a music and piano store here. After early training here and at St. Mary-of-the-Woods school she departed for New York for further training. She became one of the staff artists at the Tiffany studios in NY, but was advised by the organization to attempt a career of her own because of her extraordinary ability. She completed many commissions for leading families in the East and later traveled in England, France, Italy and Austria, carrying on her painting. Among those who sat for her were Rodin, noted French Sculptor; Sir John Millais, celebrate British art critic and Cecil Rodes, diamond king who summoned her to South Africa to paint his portrait. She received a royal command from King Edward VII of England and visited in London for several months while completing his portrait. She received from the King a diamond necklace in recognition of her work; the necklace later was sold and the money used to establish a fund for the care of wounded British Soldiers.  She likewise received a royal command from the Czar of the Russians and was resident guest at the Kremlin, palace of the Czars during the time required for the execution of the portraits made of the Czar, the Czarina, the Arche Duchess Olga and other member sof the imperial family. After her return from Russia she prepared an article, “The Human side of the Czar,” a recount of incidents in the royal household, which was published in the Century Magazine. She became the wife of Capt. Charles DuPont Coudert subsequent to her trip into South Africa, and after short residence in New York the couple departed to live on the continent. Later they became permanent residents of Windlesham Hall near London. In addition to her genius as an artist, Mrs. Coudert was known as a social leader on the continent in England and in NY. She was the sister of the late Albert Kussner, American composer. As children they were inseparable and her brother, to aid in her ambition to paint miniatures removed the ivory from the keys of old pianos in his father’s shop to provide media for her painting. Surviving are Capt. Coudert and a sister, Mrs. John W. Cloud, Thankerton House, Surrey, England.


Source: The Brooklyn Daily Eagle 5 May 1902 p 5

 
$5,000 was the price paid by the Empress of Russia recently for a dress.  It was a mass of silver embroidery and 8 girls were at work upon it in relays night and day for six weeks. The Czarina is beautiful and youthful in appearance.  Amelia Kussner Coudert, the well known miniature painter, last year painted a portrait of the Empress, who gave her some dozen sittings. Comparatively few photographs have been taken of her for she is somewhat averse to posing before a camera. She is herself, however, quite an enthusiastic amateur photographer and frequently takes her camera with her when traveling.
 
Wikipedia  - notes from Wikipedia article - see her gorgeous photo there
Amalia Kussner Coudert – born in Crawfordsville March 26, 1863 to German immigrants, Lorenz and Emilie (Weinhardt) Kussler.  The family (she had a bro Albert and sis Louisa) lived briefly in Greencastle before going to Terre Haute Feb 24, 1864.  died Montreux, Swaitzerland May 1932 – educated St. Mary of the Woods – her father, Lorenz in TH ran the “Palace of Music” which was an instrument repair shop 213 Ohio St.  1867 – fire destroyed and moved 219 Ohio St where the family had an apartment upstairs.  He gave his dau a miniature portrait on ivory when she was 12 – perked her interest.  Sketched local scenery and began painting the miniatures soon after – often using discarded piees of the ivory keys from damaged pianos.  Local schools – 1872-74 studying art with Sister Maurice Schnell at St. Mary’s Academy.  TH HS June 1881.  Boarding school of Madame Da Saliva in NY for two years – back in TH studied under local artist Helen Minshall and became charter member of the city’s Decorative Arts Society, established her own art studio and began her career as painter of portrait miniatures.
 
1892 – studio in her apartment in Windsor Hotel paid about $1,000 per portrait.  Lillian Russell and Marie Tempest actresses – wife of Wm. B. Astor (grandson of John Jacob stor).  When visiting her brother in 1894 in Chicago she was commissioned and painted several portrait of the Armour family, founders of the Armour Company meat packing company.  She also taught art
 
In an 1895 (2-2) issue of Harper’s Bazaar she was tagged as a “22-year-old child prodigy.”  She was 31 then and never corrected the mistake – in fact, continued going as ten years younger throughout her life.  
 
In Europe with socialite Minnie Paget in 1896, she painted several miniature portraits of British royalty and London society – 1897 Prince of Wales (became King Edward VII) – 1897 Russian royal family.  Height of career $4,000 per portrait.
 
Met future hubs Chas duPont Coudert – wealth international lawyer on a trip to Paris, France in March 1896.  WOW LOVE but he had to do his military duty – Spanish-American War.  Returned to US in 1899 and on the 4th of July 1900 married in a private ceremony in the sacristry at St. Patrick’s Cath in NY City – only mothers present.  Small dinner party Hotel Savoy then Newlyweds sailed to England next day.  Over 200 miniatures – emphasizing their best features vs. reproducing exact likenesses.  After her marr painted some but not a lot.  Lived in a NY Mansion a gift from his mother but traveled most of the time throughout Europe.  In 1914 they sold their NY mansion and purchased a Tudor castle in Surrey, England.
 
1932 – died of a lung ailment at Montreux, Switzerland May 1932.  Swope Art Museum in TH has examples of her miniatures as does Cincinnati Art Museum.  

 
Source: 1883 City Directory Terre Haute. Kussner, Lorenz – Pianos & Organs & Music Merchandise 213 Ohio resides 219 Ohio. Albert J – Piano & Organ Tuner & Repairer same. Amelia resides 219 Ohio; Louisa resides 219 Ohio

Source: Terre Haute Saturday Evening Mail 27 June 1891 p 8
Mrs. May Rodges Spencer of Bloomington ILL and her sisters, Mrs. Effie Rodgers Powers of Bloomington and Miss Jennie Rodgers of Decatur have attended the golden jubilee at St. Mary’s and are now the guests of Miss Amelia Kussner in this city.

^ NOTES
TH Daily Wabash Express 1 Oct 1888 – Miss Amelia Kussner has completed a portrait of Dr. Pence which is pronounced an excellent work of art.  It has been examined by a number of art critics, who consider it a rare specimen of HIGH ART.
1892 – enjoyed progressive euchre with lady friends
Returned from South – Returned from Chicago …
3 Jan 1891 Sat Eve Mail TH – James Whitcomb Riley came to present his poems – “Looked across the room and saw the young ladies looked unusually pretty … Miss Amelia Kussner, wore an old rose china silk.
23 oct 1887 – returned from a delightful tour through the east.
14 Oct `1883 – go to NY to attend art school
1890 lived 432 N 7th St, TH
Source: Indiana Star 8 June 1932 Wed p 5
Amalia Kussner Coudert, Indiana-Born Artist of International Fame died
Terre Haute June 7 – Word has been received here of the death of Mrs. Charles DuPont Coudert, native of this city and miniature painter of international fame. Her death occurred in Territet, Montreaux, Switzerland.  Funeral services were held yesterday at Windlesham, Surrey, England, her home. Her fame as a miniature portrait painter was gained under her maiden name of Amalia Kussner. She was the youngest daughter of Lorenz and Emelie Kussner of this city. Her father conducted a music and piano store here. After early training here and at St. Mary-of-the-Woods school she departed for New York for further training. She became one of the staff artists at the Tiffany studios in NY, but was advised by the organization to attempt a career of her own because of her extraordinary ability. She completed many commissions for leading families in the East and later traveled in England, France, Italy and Austria, carrying on her painting. Among those who sat for her were Rodin, noted French Sculptor; Sir John Millais, celebrate British art critic and Cecil Rodes, diamond king who summoned her to South Africa to paint his portrait. She received a royal command from King Edward VII of England and visited in London for several months while completing his portrait. She received from the King a diamond necklace in recognition of her work; the necklace later was sold and the money used to establish a fund for the care of wounded British Soldiers.  She likewise received a royal command from the Czar of the Russians and was resident guest at the Kremlin, palace of the Czars during the time required for the execution of the portraits made of the Czar, the Czarina, the Arche Duchess Olga and other member sof the imperial family. After her return from Russia she prepared an article, “The Human side of the Czar,” a recount of incidents in the royal household, which was published in the Century Magazine. She became the wife of Capt. Charles DuPont Coudert subsequent to her trip into South Africa, and after short residence in New York the couple departed to live on the continent. Later they became permanent residents of Windlesham Hall near London. In addition to her genius as an artist, Mrs. Coudert was known as a social leader on the continent in England and in NY. She was the sister of the late Albert Kussner, American composer. As children they were inseparable and her brother, to aid in her ambition to paint miniatures removed the ivory from the keys of old pianos in his father’s shop to provide media for her painting. Surviving are Capt. Coudert and a sister, Mrs. John W. Cloud, Thankerton House, Surrey, England.  


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